In a country that is witnessing pivotal public protest and civic engagement, and feels more divided than ever, We, Women shows the power of artists working in community throughout the United States, to find common ground and solutions to the most critical problems facing the country today. Through a radical transformation of image-making, We, Women believes we can revolutionize how we see our country and, ultimately, ourselves.
A preview of the traveling, nationwide exhibit coming in 2021, We, Women at Photoville presents the first cohort of women and gender nonconforming artists examining critical i ssues across the U.S. through photo-based community engagement projects that resist and interrogate social and political landscapes, while promoting empathy and unity.
See the educational guide here.
Claudia Wieser’s constellation of five large-scale geometric sculptures creates an immersive environment for exploration. Each form differs in size, shape, and pattern, and combines painted, photographic, and mirrored details to create vibrant compositions that highlight the dynamism of the city and its people. Ranging between seven and 13 feet in height, the sculptures are clad in more than 1,500 clay tiles that were hand-painted by the artist in her Berlin studio. Wieser (b. 1973, Freilassing, Germany), who trained as a painter, leaves traces of her meticulous brushstrokes in each attentively-designed tile. Highly polished stainless-steel details reflect the surroundings and movement of visitors. Recognizable image fragments that capture the pulse of the city are featured alongside the patterned tiles. They include photographs taken by the artist in New York, slides of a German family trip to the city from the 1980s that she found online, and reproductions of ancient Greek and Roman sculptures—together, they reflect the parallel experiences of humans throughout time.
Clustered at the iconic vista where the Manhattan Bridge frames the Empire State Building, Wieser’s Rehearsal may be seen as both a meeting place and a theatrical set that hearkens back to ancient Roman forums—public spaces for assembly, interaction, and the exchange of ideas. Her title draws attention to the interplay between visitor and artwork to suggest something still in process and ever-evolving. Inviting both exploration and reflection, Wieser offers a moment to immerse ourselves and play a role in her mesmerizing sculptural installation.
Claudia Wieser: Rehearsal is curated by Public Art Fund Associate Curator Katerina Stathopoulou.
At the Main Street Playground view pages of I Got the Rhythm by Brooklyn native Connie Schofield-Morrison and illustrated by Frank Morrison (Bloomsbury , 2014). On a trip to the park with their grown-up, a child hears a rhythm coming from the world around them and begins to move to the beat, finally beginning an impromptu dance in which other kids join in.
Brooklyn Bridge Park is accessible by several subway lines (A/C, 2/3, 4/5, F, R) and bus routes (B25, B61, B63, B67). Visitors can also arrive via the NYC Ferry at Fulton Ferry Landing and Pier 6. For Access-a-Ride access to Pier 1, please use the address 1 Water Street (corner of Old Fulton and Water Street). To enter the southern end of the park, please use the address 360 Furman Street and exit on the west side of the building.
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